THE STRATFORD
Written by
Vincent Angell
Inspired by the Characters
Created by
William Shakespeare
THE STRATFORD
EXT. NEW YORK CITY - ESTABLISHING - NIGHT
The SKYLINE laid out before us -- MAGICAL -- the KINGDOM of
MANHATTAN glitters -- a million stories playing out on the
‘stage’ below.
We PUSH IN towards a BUILDING -- Nestled among the modern
skyscrapers sits an OLD WORLD relic. Not made of gleaming
metal and glass -- but forged with the sturdiness of BRICK
and MORTAR -- built to last -- causing it to feel out of
time.
As we get closer, a SIGN slowly comes into focus -- perched
on the rooftop -- a bit WORN and AGED -- the ART DECO letters
read “THE STRATFORD”.
Now we DESCEND from the SIGN to the PENTHOUSE BALCONY below
to find a GRIZZLED MAN looking out on the city -- his city --
this is THE KING (60’s), eyes full of wisdom and kindness.
His wife, GERTRUDE (50’s), appears behind him in the doorway.
She’s the rock upon which he built his world.
GERTRUDE
You will be late for your own
party.
THE KING
Have you heard from him?
GERTRUDE
No, my love.
THE KING
It will not be the same -- I’ll
feel his absence like a weight.
Gertrude wraps her arms around her husband from behind --
GERTRUDE
He loves you -- you must know this.
If he does not show tonight it will
not change that fact -- for it is a
constant, like the sun’s rise --
He turns, enveloping her in a warm embrace --
THE KING
And as veracious as my love for
you.
2.
They kiss --
GERTRUDE
If he does show -- it’s time you
had that talk with him --
THE KING
Oh, not tonight. I want to enjoy
tonight.
GERTRUDE
You do him no good -- he needs to
leave his youth behind. It’s time
he takes on some responsibility.
THE KING
He’s a boy --
GERTRUDE
He’s not. He’s a man. But he’ll
remain a child if you keep
succumbing to his whims.
THE KING
He traveled the world for a year --
you can’t put a price on that kind
of education.
GERTRUDE
Actually you can -- you financed it
at the cost of over a hundred
thousand dollars.
The King is surprised --
THE KING
Was it that much?
GERTRUDE
Yes.
THE KING
He needed a break after college --
it wore him down --
GERTRUDE
And now that break is over and it’s
time for you to have the talk.
The King knows she’s right -- nods his acquiescence.
THE KING
There’s just so much pressing down
on me -- unsteady times --
3.
GERTRUDE
All the more reason for the talk.
(then)
Come. People wish to celebrate you.
Gertrude steps back and begins to fix her husband’s BOW TIE.
THE KING
I wish you wouldn’t have made such
a fuss.
GERTRUDE
Please. You can’t charm me away
from the truth. I know you care
about this hotel and those that
work here a great deal. They are
just as much our family as your son
that so occupies your thoughts.
THE KING
He is stubborn --
GERTRUDE
-- like you... and this tie.
The King studies her hands as they fumble with his knot -- he
takes hold of them -- gently lays his lips upon the skin --
THE KING
These hands -- they’ve guided me
through the dark times and held me
back when I carelessly tried to
rush ahead. They’ve abated my fears
and brushed my vanity from my eyes.
GERTRUDE
They’ve merely helped you along a
path that you’ve carved for
yourself.
THE KING
It’s quite the life we’ve built.
GERTRUDE
Heaven on earth.
(a kiss, then)
Let’s go have some birthday cake.
THE KING
Is it the triple malt chocolate
from Plat's?
GERTRUDE
Shall I ruin all the surprises?
4.
They head back inside -- then after a BEAT the CAMERA DROPS
DOWN the FACADE of the building. BRICK and STONE fly by as we
PLUMMET twenty stories -- passing HOTEL ROOM WINDOWS -- where
inside -- QUICK VIGNETTES play out as we pass -- finally
arriving to the street below --
EXT. THE STRATFORD - NIGHT
As we ALIGHT into the WELL-HEELED THRONG on the sidewalk
we’re instantly caught up in the REVELRY --
A YELLOW CAB cuts through this CHAOS -- and pulls to a stop
at the HOTEL ENTRANCE -- after a DRAMATIC BEAT -- the rear
door opens and out steps HAMLET (25), a melancholy air hangs
about him. He’s a man who searches for life’s meaning with
every breath.
Hamlet moves through the crowd unnoticed -- weaving his way
towards the front door and eventually into --
INT. THE STRATFORD - LOBBY - NIGHT
Hamlet enters -- takes in the playground of his youth -- now
OVER DECORATED for a BIRTHDAY PARTY. The lobby spans a CITY
BLOCK -- its decor bathed in EARTH TONES creating a warm
inviting atmosphere. It’s been described as the LIVING ROOM
of MANHATTAN.
Hamlet cuts across to the FRONT DESK and watches as a the
ASSISTANT MANAGER, MACBETH (40’s), checks in a guest. As the
guest heads off, Hamlet and Macbeth lock eyes -- exchange
warm smiles --
MACBETH
Welcome home.
HAMLET
Thanks, Mac.
(after a beat)
I’ve heard the news -- how are you
holding up?
MACBETH
Enduring.
HAMLET
As one does. And your wife?
In Macbeth’s hesitation we see the pain of a tragedy that
still lives in his eyes --
5.
MACBETH
She’s forever changed --
HAMLET
If there’s anything I can do --
MACBETH
Thanks. Your father’s already gone
above and beyond.
(needing to move on)
I’ve put aside your room.
Hamlet nods his appreciation --
HAMLET
Speaking of my father -- have you
seen him this evening?
MACBETH
Not as of yet.
HAMLET
I believe I still owe you a drink --
MACBETH
-- I’ll be sure to collect.
Hamlet heads off -- as he does we REVEAL -- TWO MEN who take
note of his presence -- THOUSAND DOLLAR SUITS and TWO-HUNDRED
DOLLAR HAIRCUTS speak to their station -- we’ll get to know
them shortly --
INT. THE STRATFORD - AVON BAR - NIGHT
Hamlet enters this intimate room off the lobby -- two men
work the bar -- OTHELLO (30’S) and IAGO (20’s), when they
spot Hamlet they both cry out --
OTHELLO IAGO
He’s returned -- There he is --
Hamlet approaches -- he embraces his friends --
OTHELLO
This is a great day.
IAGO
He was sure you’d never return --
OTHELLO
-- but prayed I was wrong.
6.
HAMLET
You both look well.
OTHELLO
Your father must be thrilled.
HAMLET
I have yet to see him.
OTHELLO
How long are you back for?
HAMLET
As long as I can bear, not a moment
longer.
OTHELLO
But you’ll make time for old
friends? Tell us your tales of
traveling the world?
HAMLET
Of course.
IAGO
We’ll hold you to that.
A sly smile breaks across Othello’s face --
OTHELLO
Have you seen her?
HAMLET
Who?
OTHELLO
She works here now, at the
concierge.
Hamlet realizes who he’s talking about --
HAMLET
She works here?
OFF: Hamlet’s wistful look --
INT. THE STRATFORD - LOBBY - NIGHT
Hamlet now stands across from the CONCIERGE DESK -- he’s
watching a woman tap away at the computer -- this is
OPHELIA (20’s) -- a bright light in a dark world --
7.
She quickly feels Hamlet’s presence -- looks up and
immediately finds him in the chaos of the party -- when their
eyes meet both their hearts skip a beat --
Hamlet approaches -- Ophelia plays it cool -- a skill she’s
mastered over the years when it comes to him --
HAMLET
I knew the hotel felt different the
moment I entered.
OPHELIA
They cleaned the carpets since you
were here last.
HAMLET
How I’ve missed you.
OPHELIA
Did you?
HAMLET
Terribly.
OPHELIA
Ah, that explains all the texts and
emails and phone calls -- that I
never received.
Hamlet smiles at her jab, there’s no malice here -- only easy
banter --
HAMLET
I assumed my absence from your life
would be well received.
OPHELIA
Why would you assume that?
HAMLET
Because I’m an asshole.
OPHELIA
So -- you did learn something while
you were away.
Ophelia’s laugh slowly turns to sadness --
OPHELIA
I would have liked to have known
that you were safe -- out there in
the world.
8.
As Hamlet sees the pain he caused, he shuts down -- changes
the subject --
HAMLET
I think they went a bit overboard
with the decoration --
OPHELIA
The ballon budget alone --
A commotion across the way gets Ophelia’s attention --
OPHELIA
Look, your father has made his
entrance.
Hamlet turns to see The King moving through the crowd -- he’s
greeted with handshakes and hugs from those who adore him.
OPHELIA
Will you be in the city long?
HAMLET
Only as long as I have to.
Silence -- then Ophelia goes against the voice in her head --
OPHELIA
Take me to dinner before you leave?
HAMLET
That sounds lovely.
OFF: Hamlet’s longing -- ANGLE ON:
THE KING -- as he’s cornered near the BAR by TWO MEN -- the
two that were so interested in Hamlet’s presence earlier --
it’s time to meet them --
THE KING
Mayor, Commissioner -- it’s kind of
you to attend this evening.
The Mayor (JULIUS CAESAR 50) and the Police Commissioner
(TITUS ANDRONICUS 40) are not fooled by The King’s
pleasantries --
CAESAR
We’re only here because of how our
absence would be judged.
TITUS
We three have much to discuss this
evening.
9.
THE KING
Not tonight gentlemen. Tonight I
celebrate. Tomorrow we can speak of
your malfeasance and the rot of
your soul.
This slight inflames Titus’ ire -- he becomes flush with
anger --
TITUS
You’re out of moves. You need to
back off --
The King spots his son cutting through the crowd towards
them.
THE KING
Gentlemen, a reunion awaits -- if
you’ll excuse me --
Caesar grabs the King’s arm --
CAESAR
I’ll expect to see you at my office
in City Hall first thing in the
morning.
The King doesn’t respond -- just heads off towards Hamlet.
Titus wants to pursue, but Caesar calms him --
CAESAR
(whispering)
A time for everything --
ON HAMLET -- making his way towards his father. They’re both
stopped along the way by old familiar faces -- quick
pleasantries are exchanged then they move on --
Finally meeting in the middle of the festivities --
THE KING
You came --
HAMLET
Did you think I would miss this?
THE KING
No -- I wasn’t sure -- I hadn’t
heard from you in days. I was
worried --
HAMLET
Sorry --
10.
THE KING
My fear is not unfounded --
HAMLET
Yes father, of course -- I’m sorry.
I wasn’t thinking. I just needed to
gather myself before I returned.
THE KING
You look well. Are you well?
HAMLET
I am.
THE KING
Come here --
The King pulls his son close -- collects the months of missed
hugs in one embrace.
THE KING
I’ve missed you.
HAMLET
And I you, father.
The King finally releases his boy --
THE KING
I need to take a piss. Meet me in
my office -- there’s much to
discuss.
The King heads towards the RESTROOM -- Hamlet in the opposite
direction --
INT. THE STRATFORD - LOBBY BATHROOM - NIGHT
The King enters -- a huge smile on his face, happy for his
son’s return. He steps up to a urinal and begins his
business. Suddenly a concerned look washes over his face - an
unfamiliar pain invades his body --
He looks around but he’s alone -- the cold sweat of panic
begins to bead on his forehead --- but then the pain
subsides. He breathes a sigh of relief --
He moves to the sink -- reaches his hands beneath the faucet -
- and as water begins to flow the PAIN returns -- he locks
eyes with HIMSELF in the mirror --
THE KING
Fuck you -- not now --
11.
OFF that, we CUT TO:
INT. THE STRATFORD - THE KING’S OFFICE - SAME
The office walls are floor to ceiling SHELVES that contain
thousands of VINYL RECORDS -- two TURNTABLES occupy a small
alcove -- the KING’S MAHOGANY DESK sits in the center of it
all --
Hamlet circles the space -- randomly pulling albums and
checking the cover art -- he spent a good part of his
childhood in here as a kid -- the memories are overwhelming
him --
Suddenly -- he hears a COMMOTION at the party outside. He
lays the ALBUM in his hands down on the desk and exits to --
INT. THE STRATFORD - LOBBY - CONTINUOUS
Hamlet notices a crowd that has formed outside the RESTROOM.
He begins to move in that direction when he spots his mother,
Gertrude --
HAMLET
(confused)
Mother -- ?
GERTRUDE
It’s your father -- he’s dead. Your
father is dead, Hamlet.
OFF: Hamlet’s growing agony --
(NOTE: When Gertrude speaks Hamlet’s name -- it will be the
first time we identify a character. Ripping our audience into
our Shakespearian world)
EXT. NEW YORK CITY - THE STRATFORD - SUNRISE
As the sun fights to rise above the valley’s of steel -- it
throws shards of light onto the facade of the hotel -- making
it glow an unnatural orange. The King is dead -- long live
The King --
EXT. THE STRATFORD - ROOF TOP - MORNING
CLOSE ON HAMLET’S FACE –- as he weighs his father’s death.
We PULL BACK to reveal that he’s standing on the ROOF - more
precisely the LEDGE -- balancing between... being and not
being -- he senses someone approach --
12.
RICHARD (O.S.)
Junior..
HAMLET
Richard --
Hamlet doesn’t turn but WE REVEAL: RICHARD (30’s) standing
behind him. Richard’s the head of HOTEL SECURITY -- wears an
EAR PIECE and has a RADIO clipped to his hip -- a SCAR lives
beneath his eye -- it’s origin a mystery --
RICHARD
Enjoying the view?
HAMLET
Just getting some air --
RICHARD
I’d prefer if you didn’t do it from
the ledge -- I don’t need to clean
up a third mess on the sidewalk.
HAMLET
Third?
RICHARD
We’ve had two suicides from up here
this year. That’s why I installed
these --
He gestures to the SECURITY CAMERAS placed around the roof
top. Hamlet steps down and begins to move past Richard --
RICHARD
My condolences. Your father was a
great man.
Hamlet pauses, skeptically eyes Richard -- we can sense
there’s no love between these two men --
RICHARD
It is just so shocking. I would see
him swimming laps every morning --
he seemed so fit -- full of life.
It’s hard to believe his heart
quit.
Hamlet isn’t certain if Richard is trying to sow discord –
but knowing him – there’s treachery in his words --
HAMLET
What exactly are you getting at?
13.
RICHARD
Nothing really -- I guess just how
fragile life is.
(then)
But you know that -- how’s all that
ails you?
HAMLET
Richard, always trying to turn a
situation to his advantage -- even
my father’s death.
RICHARD
I heard about your time at
Bellevue, I ask out of concern --
I’m insulted you think it’s
anything more.
HAMLET
If I’ve insulted you -- then my
work here is done.
And with that he heads for the exit -- leaving Richard behind
and insulted --
INT. THE STRATFORD - HALLWAY - MORNING
We PUSH down a long DARK CORRIDOR -- thick carpet below us --
light tossed indiscriminately -- we arrive at a door -- A
SIGN reads -- ROOF ACCESS -- after a PREGNANT BEAT the door
opens revealing Hamlet --
As he makes he way along the length of the corridor an uneasy
feeling takes hold. Up ahead a FIGURE appears at the far end
of the hallway -- Hamlet freezes for a moment but as he
begins to move in that direction WE: SMASH TO --
Hamlet now stands in the middle of the CAVERNOUS HALLWAY of a
MEDIEVAL CASTLE -- the FIGURE ahead is now clad in ARMOR and
FLOATS above the STONE FLOORS. Hamlet’s fucking confused --
as he spins WE: SMASH BACK TO --
INT. THE STRATFORD - HALLWAY - MORNING
Hamlet shakes the vision from his head. Refocuses on the
FIGURE -- now wearing a suit -- he looks like THE KING --
Hamlet begins to call out but the FIGURE disappears around
the corner.
14.
Hamlet moves AT PACE towards the APPARITION -- when he rounds
the corner he discovers an EMPTY HALLWAY. Hamlet takes a
breath and writes off the incident in his mind as stress
induced --
INT. THE STRATFORD - PENTHOUSE - MORNING
Hamlet enters and makes his way to the living room where he
finds Gertrude -- behind a desk trying to keep their world
from falling apart --
GERTRUDE
(on phone)
Don’t do anything until you’ve
heard from me. We all must remain
calm and stay the course.
Gertrude raises her hand -- asking her son for a moment --
GERTRUDE
(on phone)
Stay vigilant. This is the excuse
they’ve been looking for.
She hangs up and gives her full attention to her son --
HAMLET
What’s that?
GERTRUDE
Business --
(then)
Come --
She opens her arms wide -- Hamlet steps into her embrace --
GERTRUDE
I’m so happy he laid eyes on you
before --
She steels herself -- then retreats behind the desk --
GERTRUDE
To know that it was his heart that
failed him -- that which guided him
throughout his life -- its hard to
reconcile.
Hamlet eases into a chair opposite her --
HAMLET
He seemed well -- fit. Best he
looked in years --
15.
GERTRUDE
He was -- but I believe the excess
of his youth returned to collect
their debt --
(a beat)
He loved you so --
HAMLET
This world will feel his absence.
From the kitchen, CLAUDIUS (50’s), enters. He carries two
cups of coffee -- hands one to Gertrude --
GERTRUDE
Thank you.
HAMLET
Uncle --
CLAUDIUS
Hamlet. My heart breaks for you --
to return home to this --
HAMLET
For us -- your heart must break for
all of us -- he was your brother.
CLAUDIUS
Yes, of course.
They hold an uncomfortable look for a beat -- then --
HAMLET
Mother, if there’s anything I can
do?
GERTRUDE
Your Uncle and I will handle all
that needs to be handled. I don’t
want you to have to worry.
(then)
How long will you remain in the
city?
HAMLET
Not far beyond the funeral.
(then, reluctantly)
To that point -- the deposits into
my account have stopped --
Gertrude and Claudius share a look --
CLAUDIUS
The real reason for your return --
16.
GERTRUDE
We can deal with that at another
time --
Sensing an issue -- Hamlet forces the point --
HAMLET
Now’s fine.
GERTRUDE
Your father was going to have a
talk --
CLAUDIUS
Plans were made for your future.
HAMLET
You’ve all discussed my future?
GERTRUDE
We should really table this
conversation --
HAMLET
What were your plans for my future?
GERTRUDE
So stubborn -- if you must -- Your
father wanted you to succeed him.
To run the business he built.
HAMLET
And if that’s not my desire?
CLAUDIUS
Exactly what is your desire? Never
working a day in your life --
GERTRUDE
Claudius --
HAMLET
My desires are of no concern of
yours --
GERTRUDE
Give us a moment --
Claudius exits the suite --
HAMLET
How he and my father were born of
the same womb has mystified me most
of my life.
17.
GERTRUDE
Your Uncle loves you and always has
your best interests in mind --
HAMLET
My Uncle is concerned about himself
above all -- he is half the man my
father is... was --
(after a breath)
-- why you’ve failed to see that
over the years --
GERTRUDE
(frustrated)
Hamlet please!
They’re both at the end of their ropes --
GERTRUDE
If you want to have this discussion
now -- fine -- let’s have it.
(a breath)
Your father has long kept you safe
in the world -- and it’s been my
opinion over the years that this is
to your detriment. You’ve failed to
develop the tools needed for
success --
HAMLET
Whose definition of success?
GERTRUDE
(with anger)
-- the world’s.
(then, softening)
For the world cares not that you’re
kind -- nor do they care that you
love blindly, are selfless -- are
so filled with compassion that you
feel the pain of your neighbor.
These are the best parts of you --
in this your father lives on -- but
you are also -- so lost -- you lack
purpose and direction --
HAMLET
You’ve never understood me --
GERTRUDE
Maybe I haven’t -- I have tried
though -- I do love you so.
(with difficulty)
(MORE)
18.
GERTRUDE (CONT'D)
That’s why things must change --
Your trust fund has been frozen.
From now on you’ll earn your way.
Your father’s desire was for you to
take over -- but to do that you
have much to learn. There’s a job
here for you if you want it.
HAMLET
Doing what?
GERTRUDE
You need to learn all there is
about the running of this hotel.
You’ll start at the beginning --
there’s a doorman position -- you
can begin as soon as you’d like.
HAMLET
A doorman? Are you serious?
She just holds his look as a response --
HAMLET
And if I decline this generous
offer?
GERTRUDE
You’ll have to find your own way --
Hamlet turns and leaves -- Gertrude collapses in her chair --
her tough love approach leaving her emotionally broken --
INT. CITY HALL - CAESAR’S OFFICE - MORNING
Caesar sits behind his desk, many OAK TREES gave their lives
to adorn this office. He stabs a button on his phone --
CAESAR
Send him in.
After a beat the door opens and Titus enters --
CAESAR
Have a seat --
TITUS
Fuck your pleasantries -- what are
we going to do about this?
CAESAR
He’s dead, there’s nothing to do.
19.
TITUS
You think that helps our cause?
CAESAR
I think --
TITUS
Let me enlighten you -- It fucking
doesn’t. It just complicates the
fuck out of everything.
CAESAR
I think -- you need to remind
yourself to whom you are speaking.
Titus leans on the desk, gets in Caesar’s face --
TITUS
Do you think these antiquated --
hierarchical beliefs that you cling
to will protect you? If it’s your
hand that stirred this pot --
CAESAR
Mine? That’s rich. This deed has
your fingerprints all over it --
Titus backs from the desk --
TITUS
So that’s your game. You believe
you can hang this rope around my
neck?
(then)
You’ve miscalculated.
CAESAR
Calm yourself. We two are tied
together in this -- The noose is as
tight around my neck as it is
yours. Solve this problem or we
both hang --
TITUS
If I do go down -- there’ll be a
smile on my face as I watch you
fall beside me.
Titus turns and heads for the exit -- Caesar stews --
20.
INT. THE STRATFORD - KING’S OFFICE - DAY
Hamlet sits behind his father’s desk -- taking in the
minutiae that made up his life. PHOTOS of the TWO OF THEM --
a DOODLE PAD -- stacks of DOCUMENTS.
Hamlet eyes the ALBUM he set down on the desk last night --
it’s ACE FREHLEY -- he picks it up and moves to the TURN
TABLE. Frees the LP from it’s sleeve and places it on the
platter. The OPENING BEATS begin to pound through the
speakers ---
-- as the song brings back a flood of memories -- but before
the CHORUS kicks in -- two MEN enter the office -- meet
AGENTS ROSENCRANTZ AND GUILDENSTERN (30’S) --
HAMLET
Can I help you?
AGENT ROSENCRANTZ
I’m Agent Rosencrantz, this is
Agent Guildenstern. We’re with the
FBI.
AGENT GUILDENSTERN
We’re looking for --
HAMLET
My father, I assume?
AGENT GUILDENSTERN
You must be his son, Hamlet --
AGENT ROSENCRANTZ
He spoke of you, often --
HAMLET
You’re either bad at your job or
you’re playing at something -- my
father passed away last night.
Both of the agents feign shock --
AGENT GUILDENSTERN
We’ve been on the road all night.
AGENT ROSENCRANTZ
We had no idea.
AGENT GUILDENSTERN
How?
HAMLET
His heart.
21.
The two men hold each other’s look as they contemplate their
next move -- then --
AGENT ROSENCRANTZ. AGENT GUILDENSTERN
Maybe we should -- Maybe we should --
They both pause -- turn to each other --
AGENT ROSENCRANTZ
What were you going to say?
AGENT GUILDENSTERN
Maybe we should come back at a more
convenient time?
AGENT ROSENCRANTZ
Same --
(then, to Hamlet)
We do that all the time. Like an
old married couple.
HAMLET
What does the FBI want with my
father?
AGENT ROSENCRANTZ
That’s a --
AGENT GUILDENSTERN
-- private --
AGENT ROSENCRANTZ
-- yes private -- and confidential
matter.
AGENT GUILDENSTERN
We would love to sit down with you
when you feel up to it.
AGENT ROSENCRANTZ
Ask you a few questions.
HAMLET
You can ask me what you want now.
That stumps them -- hmm --
AGENT ROSENCRANTZ
I think --
AGENT GUILDENSTERN
-- I think we might need some time
to discuss a plan --
22.
AGENT ROSENCRANTZ
Just the two of us -- so we can
figure out the right questions to
ask --
AGENT GUILDENSTERN
-- that would best serve our
purposes.
AGENT ROSENCRANTZ
Yes -- that makes sense --
AGENT GUILDENSTERN
I believe that makes complete
sense. So until then --
Agent Guildenstern drops a BUSINESS CARD -- then the two men
exit leaving Hamlet alone -- curious as to the nature of
their visit.
His mind begins to race -- he sits at the desk and starts to
click through his father’s computer -- checking CALENDAR
ENTRIES --
INSERT COMPUTER SCREEN: We take NOTE of a few APPOINTMENTS --
a DOCTOR’S VIST -- a MEETING WITH THE MAYOR -- a MEETING WITH
HARRY @ the AGINCOURT the previous night.
Hamlet rises from the desk -- a sick feeling creeping up his
spine -- something feels off -- he begins to search the
office for something -- anything. Going through papers --
checking drawers -- suddenly an idea is born --
Hamlet slides back one of the SHELVES, revealing a SAFE. He
spins the tumbler -- praying it’s the combination he
remembers -- CLICK -- the LOCK RELEASES. Hamlet pulls it open
to find an ENVELOPE with his name on it -- inside is a FLASH
DRIVE --
He rushes to the computer and plugs it in -- a VIDEO pops up
of The KING -- a ghost from the grave -- Hamlet’s breath
catches --
THE KING
Hello, son. If you’re watching this
-- I’m dead. And if I’m dead, I was
murdered. A lot has happened since
you’ve been away. I need you to get
to the bottom of it. Trust no one.
I don’t want to say too much here --
there’s a key hidden at our
favorite place to go when you were
a kid -- start there. Avenge my
death --
(MORE)
23.
THE KING (CONT'D)
(emotions rising)
I’ll miss you -- I never feared the
end -- my only concern is how
you’ll fare in the world without
me. I’m sorry I can’t be there for
you now, when you’ll need me most.
But I believe in you -- I love you,
boy. In this life and the next --
OFF: Hamlet’s shock --
INT. THE STRATFORD - LOBBY - DAY
A DOORMAN opens the front door and emerging from the glare of
the sunlight is a man -- meet FALSTAFF (30’s) -- he glides
through the lobby with the confidence of someone much better
looking.
He’s greeted at the FRONT DESK by MACBETH --
MACBETH
Good morning. Checking in?
FALSTAFF
I am. Reservation under John
Falstaff.
MACBETH
Of course.
Macbeth taps a few keys -- hands him his PACKET --
MACBETH
If there’s anything else you need --
Falstaff gathers his things and heads for a seat in the
LOBBY. After a beat RICHARD appears and takes the chair
opposite Falstaff --
RICHARD
Welcome to the Stratford.
FALSTAFF
Thank you.
Richard sets down a NEWSPAPER on the table between them -- he
discreetly lifts the fold to reveal an ENVELOPE hidden
within.
RICHARD
I hope you enjoy your stay --
24.
FALSTAFF
Hopefully it will be better than
last time --
Richard seems irritated by that remark -- he leans in --
RICHARD
After this we’re done, you and I --
we’re even -- I owe you nothing --
FALSTAFF
No reason to get upset -- we have a
good thing going. I was merely --
RICHARD
We -- have nothing -- but a history
that’s slowly fading. Finish this
and be out in two days --
Richard leaves -- Falstaff picks up the NEWSPAPER and heads
for the ELEVATOR -- passing Hamlet -- who’s witnessed their
interaction.
As the elevator doors close on Falstaff -- Hamlet moves to
Ophelia --
HAMLET
Hey --
OPHELIA
Hello. Are you okay --
HAMLET
Yes -- why?
OPHELIA
Your father -- we haven’t spoken --
HAMLET
(distracted)
I’m fine -- did you see the guest
Richard was talking to?
OPHELIA
Yes.
HAMLET
Find out what you can about them
for me.
OPHELIA
What’s going on?
25.
HAMLET
Richard -- I don’t trust him.
Hamlet moves off leaving behind a confused Ophelia --
INT. THE STRATFORD - BASEMENT - NIGHT
Macbeth walks through the dankness of the basement hallways --
scrolling through his TABLET as he goes. A waft of HYPNOTIC
MUSIC grabs his attention and pulls him to the --
BOILER ROOM -- where he spies THREE HOUSE MAIDS letting off a
bit of steam after shift. FRANCES, SALLY, THERESA (20’s)
share a FLASK as they move to the music -- dressed in a mix
of their uniforms and party clothes for their night out --
FRANCES
I walk in to check the towels and
he’s totally naked and he’s Jackin
the Beanstalk --
They all laugh at the inference --
MACBETH (O.S.)
Ladies --
They turn to find Macbeth in the doorway -- none of them
panic -- which speaks to their confidence and Macbeth’s easy
rapport with his staff --
SALLY
Hey Mac.
MACBETH
Done for the day?
THERESA
Yes sir. Just clocked out --
MACBETH
Was room 312 turned before you did?
FRANCES
Yes boss. It’s as clean as
Theresa’s --
THERESA
Stop it --
Macbeth blushes --
MACBETH
Have a good night --
26.
He turns to go but Frances rushes to him --
FRANCES
Wait -- before you go -- let Sally
read you --
MACBETH
What? No --
Sally gets excited -- pulls a pack of TAROT CARDS from her
bag --
MACBETH
I really should get back --
SALLY
It will take five minutes.
Sally shuffles the cards and then deals them out on the box
before her -- slowly -- deliberately -- and it’s sexy as
fuck.
SALLY
(as each card is turned)
The Sun -- Temperance -- Justice
reversed --
Suddenly all the air is sucked from the room -- the three
women react with shock and concern --
MACBETH
What? What is it --
SALLY
The cards speak of turmoil -- and
loss -- great suffering --
Macbeth blanches at how close to the bone she’s cutting --
THERESA
(sensing Macbeth’s
discomfort)
Sally stop -- he doesn’t want --
MACBETH
It’s okay.
Sally turns three more CARDS --
SALLY
Reversed Hang Man -- Justice --
Lovers --
Sally brightens --
27.
SALLY
Look -- out of that suffering rises
a renewal -- a rebirth -- you’ll
become a man of immense power --
you’ll battle great demons but in
the end you stand victorious --
Just then all the lights go out in the basement -- casting
them into complete DARKNESS --
FRANCES
That’s creepy as fuck --
The others laugh -- somewhere a circuit reboots -- the lights
CLANK back on --
THERESA
If that’s not a sign I don’t know
what is --
MACBETH
No, that’s a bad circuit breaker
I’ve been telling Duncan about for
months --
FRANCES
That’s why you should be running
this hotel and not him --
SALLY
And apparently you will be in due
course --
Macbeth laughs off the suggestion --
MACBETH
Have fun tonight ladies. Stay out
of trouble --
Macbeth heads out -- Sally’s prediction fills his thoughts --
INT. THE STRATFORD - THE AVON CLUB - DAY
Hamlet enters to find Othello setting up the bar for service.
Othello quickly moves to his friend and embraces him --
OTHELLO
I’m so sorry. He was like no other.
HAMLET
Thank you.
Hamlet pulls up a stool -- Othello moves back behind the bar.
28.
OTHELLO
Need a drink?
HAMLET
More than I can say --
Othello pulls a bottle off the top shelf -- pours Hamlet a
stiff one --
HAMLET
Have you noticed anything going on
here at the hotel -- had my father
confided anything to you?
OTHELLO
No. He and I talked, but mostly him
checking in with me -- asking after
my family. You know how he was --
(then)
Why do you ask? What’s going on?
Hamlet needs an ally -- someone he can trust -- after
considering --
HAMLET
I’ve shared this with no one --
OTHELLO
You know you can trust me -- I’ve
got your back -- always have,
always will --
Hamlet knows that to be the truth --
HAMLET
I think my father was murdered.
Othello didn’t expect that --
OTHELLO
I thought they said it was a heart
attack.
HAMLET
They did. But he believed someone
would be coming for him --
OTHELLO
Who?
HAMLET
That’s what I intend to find out.
29.
OTHELLO
Where will you begin?
HAMLET
My father left something for me --
hid it somewhere. But I don’t know
where. Have I ever mentioned a
particular place he and I would go
when I was a boy?
OTHELLO
Nothing comes to mind.
HAMLET
I can’t for the life of me --
(then)
No one can know of my suspicions --
this stays between us.
OTHELLO
Of course. I’ll dig around -- see
what I can discover.
HAMLET
Discreetly -- whoever my father was
up against -- they didn’t hesitate
to kill him -- so be careful.
Hamlet downs the rest of his drink and heads out -- passing
Iago as he does.
IAGO
Condolences --
Hamlet takes his hand and quickly moves on. Iago turns to
Othello --
IAGO
How is he?
OTHELLO
As you can imagine.
IAGO
Did you tell him of my plan?
OTHELLO
No. Now’s not time.
(then)
And to be frank, I’m not sure it’s
worth pursuing.
OFF: Iago’s frustration --
30.
INT. THE STRATFORD - GUEST ROOM - DAY
We FIND Falstaff at a desk, the ENVELOPE Richard gave him has
been opened. PRINTED PAGES are spread out -- each contain a
PHOTO of a WOMAN along with their NET WORTH and bits of
PERSONAL INFORMATION --
Falstaff studies the documents -- tossing aside several WOMEN
for unknown reasons -- finally narrowing his selection down
to one -- MRS. PAGE (50’s) -- NET WORTH -- 15 MILLION --
FALSTAFF
Hello, Mrs. Page --
As he gets to know his mark --
INT. APARTMENT - STAIRWELL - DAY
Hamlet ascends the stairs of this rundown PRE-WAR BUILDING --
when he reaches the FIFTH FLOOR -- he heads down the hall and
knocks on APARTMENT 5B -- after a beat -- the door swings
open revealing -- Ophelia --
HAMLET
Hello --
She’s shocked to see him -- and in her mind -- not dressed
properly for the occasion -- pulls her worn sweater tight
across her body --
OPHELIA
Hey -- I didn’t know --
HAMLET
Me either. I just went for a walk
and ended up here. Sorry about
earlier -- much going on --
OPHELIA
How are you fairing?
HAMLET
Okay. Considering --
She sees the grief pushing down on him -- pulls him into an
embrace --
OPHELIA
I’m so sorry --
He accepts her comfort -- but just briefly -- ultimately
pushing past her and into --
31.
INT. OPHELIA’S APARTMENT - CONTINUOUS
Hamlet takes in the space as Ophelia closes the door.
HAMLET
You’ve redecorated.
OPHELIA
No, it’s exactly the same as last
time you were here.
HAMLET
That’s what I meant.
OPHELIA
Can I get you anything? A drink?
HAMLET
I’m fine.
OPHELIA
It’s unsettling -- having you back
in the city.
HAMLET
For both of us.
(then)
My father adored you. Always said
you were too good for me.
OPHELIA
He was right --
They share a smile --
HAMLET
I have an odd question for you --
OPHELIA
Wouldn’t be the first.
HAMLET
True -- have I ever mentioned a
special place my father and I would
go when I was a child?
OPHELIA
You’ve forgotten your favorite
place to go with your father?
(off his look)
Not that I remember. Why?
32.
HAMLET
Nothing -- never mind -- not
important.
(changing the subject)
-- get dressed. We’re going out.
OPHELIA
Tonight?
HAMLET
I need to take my mind off a few
things -- as you can imagine -- and
only time spent with you can
accomplish that.
She blushes at the compliment -- then needing to redirect she
picks up a file off the table --
OPHELIA
I looked into that guest you asked
about. John Falstaff -- this is all
I could dig up.
HAMLET
And...?
OPHELIA
Nothing good.
As Hamlet peruses the papers --
INT. THE STRATFORD - AVON BAR - NIGHT
Falstaff enters the half-full space -- searches the clientele
until he spots his mark at the bar --
OPHELIA (V.O)
I called around to some of the
other concierges --
Falstaff slides onto the stool next to a woman -- MRS. PAGE --
we’ll recognize her from the PHOTO on the document in his
room --
OPHELIA (V.O.)
He’s been banned from a few hotels
downtown -- it seems he’s a con man
-- grifter -- goes after wealthy
divorcées. He’s a predator --
As Falstaff tries to get Othello’s attention -- he and Mrs.
Page share a warm smile --
33.
FALSTAFF
Good evening, I’m John --
Mrs. Page smiles -- extends her hand -- Falstaff kisses it --
EXT. NEW YORK CITY - STREET - NIGHT
A CAB pulls to a stop and Hamlet and Ophelia exit. It’s a
DESOLATE part of the city -- lagging behind the sprawling
redevelopment.
They walk towards a NONDESCRIPT BUILDING -- where a WELLDRESSED
DOORMAN recognizes Hamlet and instinctively opens the
door for them -- Hamlet and Ophelia enter --
It’s just a small BEAT-TO-SHIT foyer with a large SERVICE
ELEVATOR. Above the ELEVATOR DOORS -- in decaying BLOCK
LETTERS is the name AGINCOURT --
The lift arrives and Hamlet and Ophelia enter -- and begin
the descent into the bowls of the city -- finally coming to a
stop four-hundred-feet beneath the surface. The door opens
and they both step into --
This NIGHT CLUB is the opposite of the above antechamber --
The Agincourt is an abandoned SUBWAY STATION -- converted
into an ART DECO NIGHT CLUB. It’s stunning -- an
architectural masterpiece. Every detail designed to
perfection.
As Hamlet takes Ophelia’s hand (electricity shoots through
her body) -- and they cut across the well dressed crowd.
OPHELIA
I haven’t been here in years.
HAMLET
Neither have I. The last time was
with you --
They both remember the last time -- it’s not a good memory --
HAMLET
I’m sorry.
OPHELIA
It’s history --
34.
HAMLET
Which means it happened. Which
confirms the fact that I’m an ass --
OPHELIA
Agreed. But let’s not allow it to
ruin tonight.
He’s moved by her gesture -- kisses her cheek --
HAMLET
You’re too good to me.
OPHELIA
Dance with me --
HAMLET
I’ll need a drink first --
Ophelia spots the THREE MAIDS -- moving to the music -- they
all wave to each other --
OPHELIA
I’ll be here --
As Ophelia begins to dance with her co-workers -- Hamlet
heads for the bar. We STAY with him as he CONTINUES PAST the
bar and DISAPPEARS through a door in the back of the club --
INT. THE AGINCOURT - HALLWAY - CONTINUOUS
Hamlet makes his way down the long corridor to the office at
the end -- he knocks -- a SUITED SECURITY GUARD answers --
HAMLET
He in?
The SECURITY GUARD gestures for Hamlet to enter --
INT. THE AGINCOURT - HARRY’S OFFICE - CONTINUOUS
Hamlet enters to find HARRY (40’s), behind a desk phone to
his ear -- gestures ‘one sec’. Harry’s as cool as they come --
a self made man, like Hamlet’s father. A life long bachelor
that lives life to it’s fullest --
HARRY
(into phone)
My pleasure. Tell the Senator it
will never come back on him -- I
took care of everything -- Anytime.
35.
He hangs up and gives Hamlet his full attention.
HARRY
Hey kid -- my God -- I’m so sorry.
HAMLET
Thanks --
HARRY
What can I do for you? You name it.
He gestures for Hamlet to sit --
HAMLET
I’m fine -- but I do have a couple
questions for you. My father’s
calendar said you and he had an
appointment the day before he died?
HARRY
We did.
HAMLET
Can you tell me what it was about?
HARRY
Of course. He offered to sell me
The Stratford.
That’s the last thing Hamlet expected --
HAMLET
I don’t understand?
HARRY
I know. Neither did I -- I was
shocked.
HAMLET
That hotel is his pride and joy.
(then)
He didn’t say why?
HARRY
He didn’t -- and I didn’t ask.
HAMLET
Did you take him up on his offer?
HARRY
The Stratford is a special place.
I’d be lucky. But I didn’t want him
to sell it to me and regret it.
36.
Hamlet struggles to process this new information --
HAMLET
Have you heard any talk -- about
him be in financial trouble?
HARRY
The opposite -- the hotel was
thriving, he had secured a few lots
downtown -- was scheduled to break
ground next year on new buildings.
HAMLET
Then why sell off The Stratford?
HARRY
Sorry kid, I don’t have an answer
for you.
Hamlet rises to go --
HAMLET
Thanks for your time --
(then)
He respected you -- more than most.
Hamlet’s attention is drawn to the wall of SECURITY MONITORS -
- on one he spots FALSTAFF --
HAMLET
Do you know him?
Harry eyes Falstaff --
HARRY
I did. Long time ago -- surprised
to see him here.
(changing the subject)
Again -- if you ever need anything,
don’t hesitate.
HAMLET
Thank you -- but after my father’s
funeral -- I won’t be long for this
city.
HARRY
Too many ghosts?
HAMLET
I fear I’ll become the worst
version of myself if I stay -- the
man I’ve been running from my whole
life --
37.
Off that truth -- Hamlet exits --
INT. THE AGINCOURT - CRAPS TABLE - NIGHT
Gamblers, dressed in their best threads, encircle the CRAPS
TABLE -- amongst them is Falstaff and Mrs. Page --
FALSTAFF
(re:dice in his hand)
For good luck --
Mrs. Page blows on the dice as Falstaff shakes them in his
fist -- then he tosses them the length of the table --
DEALER
Seven -- Winner --
Falstaff hugs his good luck charm -- hands her a stack of his
winnings --
MRS. PAGE
I couldn’t --
FALSTAFF
But you must --
She reluctantly accepts the chips --
MRS. PAGE
(touched)
Thank you.
ANGLE ON: HAMLET -- he searches for Ophelia in the crowd --
instead his gaze lands on Falstaff -- as he moves towards the
CRAPS TABLE -- he locks eyes with Ophelia on the DANCE FLOOR -
- she seductively urges him towards her rocky shores -- he
gestures -- “one sec” --
CRAPS TABLE -- Hamlet sidles up next to Falstaff --
HAMLET
(re: his large stack)
Lady Luck’s guiding your hand
tonight --
FALSTAFF
-- yes -- and she’s standing right
beside me.
Hamlet leans in --
HAMLET
She’s quiet the mark --
38.
FALSTAFF
(quietly)
Fuck off --
Hamlet’s confirmed his suspicions -- moves toward Ophelia --
but his attention is diverted yet again -- he spots Agents
Rosencrantz and Guildenstern ROUGHLY escorting a MAN toward
the back EXIT --
Hamlet follows the AGENTS -- Ophelia appears before him --
OPHELIA
Come, dance --
HAMLET
(eyes on the Agents)
Something’s come up --
OPHELIA
You dragged me out --
HAMLET
I know -- sorry -- I’ll make it up
to you --
OPHELIA
That’s a familiar refrain --
He’s losing sight of Rosencrantz and Guildenstern --
HAMLET
Forgive me --
He pushes past her and pursues his target -- As Hamlet
disappears into the throng -- Ophelia turns to Frances --
OPHELIA
You know what, why not? Give me
one.
Frances produces a PILL that Ophelia dry-swallows --
FRANCES
(re:Hamlet)
I heard you two were a thing once?
OPHELIA
I thought as much --
FRANCES
Can’t shake him?
Ophelia smiles at her intuitiveness --
39.
OPHELIA
He courses through my veins --
FRANCES
What is it about him?
OPHELIA
Many things -- his unwavering
belief in me -- his kindness -- but
at the top of the list right now --
in this moment -- is that when he
fucked me I felt like he was trying
to consume all that I am --
FRANCES
Whoa -- did that tab kick in
already?
OPHELIA
Not at all --
As Frances nods in envy the two are swallowed up by the
dancers grinding to the music --
INT. THE AGINCOURT - HALLWAY - NIGHT
Hamlet makes his way down a long dark corridor -- up ahead
the two FBI AGENTS continue to shove the MAN along -- unaware
of their tail -- eventually they reach a DOOR that leads to a
STAIRWELL -- then disappear through it --
Hamlet picks up the pace and pushes through the same door
into the --
STAIRWELL -- that goes straight up -- Hamlet takes a breath
and starts to climb --
EXT. NEW YORK - HUBERT STREET - NIGHT
Hamlet emerges from a DOOR -- that spills him out onto a
quiet street -- there’s no one there. Rosencrantz and
Guildenstern have disappeared. Disappointed -- Hamlet begins
to walk uptown.
As he sets off -- we LINGER until we hear the BEGGING then
the CAMERA drifts toward the PLAINTIVE WAILS -- into --
ALLEYWAY -- where Rosencrantz and Guildenstern have the MAN
on his knees -- Rosencrantz has a gun to the MAN’S head --
MAN
Please don’t --
40.
AGENT GUILDENSTERN
Who else knows?
MAN
Not a soul -- I swear.
(summoning authority)
You can’t do this -- you can’t kill
a cop --
AGENT ROSENCRANTZ
Watch --
As Rosencrantz pulls the trigger --
INT. THE AGINCOURT - CRAPS TABLE - NIGHT
Falstaff stuffs his winning chips into his pocket --
FALSTAFF
Shall we try our luck at blackjack?
MRS. PAGE
Actually, I’m exhausted. I should
be getting back --
(hopeful)
-- you could join me for a night
cap.
FALSTAFF
If I’ve learned anything over the
years -- it’s not to ignore a hot
streak --
MRS. PAGE
(embarrassed)
Of course --
FALSTAFF
But I’ve also learned -- they don’t
last long. May I meet you back at
your hotel in a few hours?
MRS. PAGE
That would be -- delightful.
As Falstaff escorts her to the exit --
41.
INT. MACBETH’S APARTMENT - NIGHT
The door swings open and Macbeth enters -- he pauses and
gathers his strength for what awaits him inside -- after a
long beat he moves deeper into his home -- a modest RAILROAD
STYLE apartment --
As he makes his way to the BACK -- he pauses in the hallway --
outside a BEDROOM DOOR -- after another moment of summoning
strength -- he slowly opens the door and enters --
A NURSERY -- half finished. We can tell it’s an abandoned
project and not a work in progress. He takes in all of the
POSSIBILITY that’s slowly dying in the room -- the deep
sadness within begins to strangle his heart -- he needs to
exit --
HALLWAY -- Macbeth escapes -- tries to trap all that pain in
the room by quickly closing the door. After a moment he
continues down the hall to the --
BACK BEDROOM -- where he begins to quietly undress -- a
FIGURE lays BURIED beneath the covers. Macbeth crawls into
bed and slides up behind his wife, LADY MACBETH -- takes her
in his arms --
MACBETH
I missed you.
She’s wide-awake and in her eyes we see a deep pain --
they’re bloodshot and sunken -- many prescription bottles
litter the nightstand beside her --
MACBETH
I think it’s time --
LADY MACBETH
(panic)
No. Not yet --
MACBETH
We don’t have to get rid of
everything. We can store the crib
in the basement -- for when we need
it -- and we will have need of it --
LADY MACBETH
No... I can’t ---
MACBETH
But to be reminded every day --
She begins to weep --
42.
MACBETH
Okay, it’s okay. We’ll wait --
This calms her -- he tries to lighten the mood --
MACBETH
Besides, according to a few of the
maids -- I’m about to “rise to
power”, take over from Duncan.
We’ll be getting a bigger apartment
soon anyway.
LADY MACBETH
(wiping away tears)
What do you mean?
MACBETH
Oh, nothing -- Sally was just
having fun with her Tarot cards --
Something about this possibility enlivens his wife. A spark
is lit in her eyes, a place to focus her attention. Off her
wheels turning –-
EXT. NEW YORK CITY - STREET - NIGHT
As Hamlet moves north -- the sidewalks thicken with
pedestrians. Up ahead he sees a FIGURE -- it looks like his
FATHER from behind -- the same APPARITION from the hotel?
He quickens his pace in pursuit. As Hamlet closes the gap
the FIGURE turns into a DINER. Hamlet follows them into --
INT. DENMARK DINER - NIGHT
Hamlet scans the small run-down eatery. There’s only a few
customers, none look like the FIGURE he was following -- as
he turns to leave TWO MEN catch his attention --
AGENT ROSENCRANTZ
Hey there, kid. Small world --
Hamlet’s confused -- was he led here?
AGENT GUILDENSTERN
Please, join us.
Hamlet figures why not -- pulls up a chair --
43.
AGENT ROSENCRANTZ
We were just discussing what the
order should be of the questions we
have for you.
AGENT GUILDENSTERN
The order is as important as the
questions themselves. Not a lot of
people understand that --
AGENT ROSENCRANTZ
We had some disagreement over what
question two should be --
AGENT GUILDENSTERN
A mild disagreement -- I believed
we both made excellent points --
HAMLET
Why did you come to see my father
this morning?
That just turned the agent’s world upside down --
AGENT GUILDENSTERN
No, we wanted to ask you questions.
AGENT ROSENCRANTZ
Yes, we’re the FBI Agents. So we do
the asking --
AGENT GUILDENSTERN
It’s part of our job --
HAMLET
Was he expecting you? Was he
working with you on something?
AGENT GUILDENSTERN
(to his partner)
He’s not getting it.
AGENT ROSENCRANTZ
It doesn’t seem to be the case.
Their frustration is palpable --
AGENT GUILDENSTERN
(to Hamlet)
In an effort to move things along,
yes, he was expecting us. And yes,
we’ve been working with your
father.
44.
AGENT ROSENCRANTZ
Now don’t ask -- we can’t speak to
the nature of our relationship.
AGENT GUILDENSTERN
Yes, it’s top secret stuff.
(then)
Now our turn. What made you return
to the city?
HAMLET
It was his birthday.
AGENT GUILDENSTERN
Ah, yes, of course.
(realizing)
Oh -- he died on his birthday.
AGENT ROSENCRANTZ
Tragic. I bet that doesn’t happen
very often -- to be born and die on
the same day --
AGENT GUILDENSTERN
The true circle of life.
Realizing they are being insensitive -- Guildenstern gets
back on topic --
AGENT GUILDENSTERN
Apologies -- had you been in
contact prior to your return?
HAMLET
Not for a few weeks.
AGENT ROSENCRANTZ
Had he given you anything before
that? Any documents? To keep safe.
HAMLET
No. Maybe if you’re more specific --
I can be more helpful.
AGENT GUILDENSTERN
Not possible.
AGENT ROSENCRANTZ
Definitely not possible.
AGENT GUILDENSTERN
As we said -- top secret.
The three sit in an awkward silence for a bit --
45.
HAMLET
Did this have anything to do with
the sale of the hotel?
Both agents seem confused -- Hamlet’s got his answer --
HAMLET
If there is nothing else --
Hamlet rises --
AGENT ROSENCRANTZ
There is one more thing. What kind
of relationship did your father have
with his brother Claudius?
HAMLET
They were brothers -- it was that
kind of relationship.
AGENT GUILDENSTERN
Was there animus?
HAMLET
At times -- why? Are you aware of a
problem between them?
AGENT GUILDENSTERN
No -- trying to get a lay of the
land.
AGENT ROSENCRANTZ
Will you be staying in the city?
HAMLET
Not for long.
AGENT GUILDENSTERN
(handing a card)
Keep us informed as to your plans.
As Hamlet pockets the card an idea is born --
HAMLET
If I promise to pass along whatever
I learn -- can I get a favor from
you two?
The two Agents share a look as they contemplate the offer.
Then -- OFF: Rosencrantz’s nod --
46.
INT. THE STRATFORD - HALLWAY - NIGHT
In the CORRIDOR we find Falstaff, BEATEN and BLOODIED -- he’s
banging on a door -- it swings open revealing Mrs. Page --
FALSTAFF
Help me --
MRS. PAGE
Oh my goodness. What has happened?
FALSTAFF
I rode the wave too long --
MRS. PAGE
Come in.
INT. THE STRATFORD - GUEST ROOM - CONTINUOUS
Falstaff stumbles into the room and collapses in a chair --
Mrs. Page pulls her robe closed as she joins him --
FALSTAFF
I was on fire -- couldn’t lose. A
gentleman invited me to an after
hours poker game -- figured why
not. My hand was hot -- was up
seventy five grand at one point --
MRS. PAGE
Then what happened?
FALSTAFF
Pocket aces -- lost twenty five
thousand I didn’t have. And these
boys weren’t too happy when I told
them I couldn’t pay my debt -- they
took turns beating on me. One of
them pulled a gun -- I thought it
was over -- but I managed to
escape. I’ve never run so fast in
my life.
MRS. PAGE
It’s okay -- you’re safe now.
FALSTAFF
No. They’re going to find me --
it’s just a matter of time. I’m as
good as dead.
He buries his head -- Mrs. Page places a comforting hand on
his shoulder --
47.
MRS. PAGE
Maybe I can help -- Maybe I can
give you a loan --
TIGHT ON FALSTAFF’S FACE -- as the fish takes the bait --
EXT. NEW YORK CITY - STREET - NIGHT
Hamlet’s approaching the hotel when he spots Claudius enter
the CHURCH across the street -- Hamlet quickens his pace and
climbs the stairs of the church --
INT. CHURCH - NIGHT
Hamlet enters and searches for Claudius -- making his way up
the SIDE AISLE he comes upon a TRANSEPT and finds Claudius on
his knees, praying -- Hamlet just watches him for a LONG
BEAT. Finally Claudius rises to find Hamlet --
HAMLET
Asking for forgiveness or
permission?
Claudius ignores the implication and pushes past him. Hamlet
lets him go -- begins to wander toward the ALTAR -- stares up
at the majesty of this gothic masterpiece --
VOICE (O.C.)
Your thoughts are bloody.
Hamlet spins to find a HOMELESS WOMAN sitting in the front
pew.
HAMLET
Were you speaking to me?
HOMELESS WOMAN
God gave you reason. So be
reasonable.
HAMLET
I don’t understand --
HOMELESS WOMAN
One part wisdom, three parts
coward.
Oh, now Hamlet understands -- she’s crazy. Hamlet heads for
the exit, the mad woman rants after him --
48.
HOMELESS WOMAN
Expose what is mortal and unsure to
all that fortune, death, and danger
dare --
ON HAMLET -- as he makes his way down the nave -- her words
crashing down on him --
INT. THE STRATFORD - GUEST ROOM - NIGHT
Mrs. Page opens the door to reveal Falstaff in the hallway --
FALSTAFF
Did you get the money?
MRS. PAGE
Please come in --
Falstaff is led into the suite by Mrs. Page -- He freezes
when he sees a MAN sitting at the table and what appears to
be a BODY GUARD standing nearby --
MAN
Please come in -- have a seat.
Every instinct Falstaff has is telling him to run -- as he
contemplates that choice --
MAN
There is nowhere to run.
Falstaff reluctantly takes a seat.
GEORGE
My name is George Page -- this is
my ex wife. When she came to me and
told me she had a friend in trouble
-- naturally I was concerned. A
friend of hers is a friend of mine.
FALSTAFF
There’s been a misunderstanding --
GEORGE
Yes there has. I did my due
diligence and looked into the man
that was trying to swindle my
ex-wife--
FALSTAFF
I wasn’t --
George SLAPS Falstaff across the head --
49.
GEORGE
You’re a hustler, taking advantage
of helpless women. You picked the
wrong mark, my friend --
George opens a computer --
GEORGE
-- and it’s going to cost you.
You’re going to transfer one
hundred thousand dollars into this
account or my large friend here
will put a bullet in your head.
That’s the cost of inconveniencing
me.
The BODY GUARD takes out a gun and presses it to Falstaff’s
temple --
FALSTAFF
That’s all the money I have --
that’s everything.
GEORGE
Of course it is --
FALSTAFF
You’ll wipe me out --
George pulls a GUN and presses it to his former wife’s head.
GEORGE
How about I kill her and then you --
make it look like a lover’s
quarrel? Cut my alimony payments
way down --
MRS. PAGE
(terrified)
George --
GEORGE
Shut up -- you’ve brought this on
yourself --
Mrs. Page gasps in horror -- A panicked Falstaff taps the
keys to drain his account --
GEORGE
Good choice --
(to the Body Guard)
Do me a favor and escort him back
to his room.
50.
The Body Guard drags Falstaff by the collar --
We STAY with George and Mrs. Page, just staring at each
other. Then, after a beat, Richard emerges from the bedroom.
RICHARD
Well done, both of you.
GEORGE
Easiest money I’ve made in a while.
Mrs. Page and George share a deep passionate kiss --
RICHARD
I’ll have the hundred grand divided
up as agreed upon.
GEORGE
You gonna tell me why you decided
to cut him loose? I thought you had
a good thing going with him.
RICHARD
Sometimes you have to sacrifice a
pawn --
Richard heads out -- George and Mrs. Page begin to pack up.
INT. THE STRATFORD - THE AVALON CLUB - NIGHT
Hamlet enters -- it’s near closing -- the place has a few
stragglers. Othello is polishing the bottles as Hamlet pulls
up a stool -- Othello pours him a bourbon --
OTHELLO
What has the day taught you?
HAMLET
That you’re the only one I can
trust.
Hamlet takes a healthy swig of his bourbon -- and for the
first time, we see the reality of his Father’s death descend
onto Hamlet’s shoulders --
HAMLET
I had so many things I wanted to
share with him -- I learned so much
during my time away -- and now --
51.
OTHELLO
We’ll discover the truth of his end
-- and in that resolve he’ll feel
your love.
Hamlet nods in agreement -- then --
HAMLET
He’s always been there for me.
There was this incident at school --
eighth grade I think. Someone had
stolen the money we collected for a
charity. I was accused, several of
the students cast me as the thief --
but I was blameless. My father sat
me down and told me that all a man
had was his word. And if his word
was worth nothing -- then he was
worth nothing. He then looked me in
the eyes and asked -- “Did you do
this?” I insisted that I was
innocent. That’s all he needed --
my word. He took me by the hand and
we drove to every student and
teacher that accused me. When I
confronted them, face-to-face --
they all admitted that it wasn’t I
that took the money. From that
moment on -- any challenge I
undertook -- I felt him behind me.
OTHELLO
Can’t believe there’s a story of
yours I never heard.
HAMLET
That’s how we keep the dead alive --
Hamlet pauses -- a realization is growing in his mind --
HAMLET
Of course -- that’s where he’s hid
it --
OTHELLO
You’ve remembered?
HAMLET
When I was young I couldn’t sleep --
I had become aware of death and was
terrified -- so my father took me
to the cemetery --
OFF: Othello’s puzzled look -
52.
EXT. CEMETERY - NIGHT
The FULL MOON scatters EERIE SHADOWS amongst the TOMBSTONES.
The BEAM of a FLASHLIGHT cuts through the night air.
HAMLET (V.O.)
I kept waking up -- every night for
weeks -- painfully aware of my own
mortality. So he brought me to our
family plot and would tell me
stories about our ancestors --
Hamlet makes his way through the graveyard. He comes upon a
row of GRAVES -- sees the freshly dug hole for his father’s --
the DEATH DATE still to be etched into the marble --
HAMLET (V.O.)
He made death feel like part of the
journey --
His beam scans along the HEAD STONES of those that have come
before him. OFF: this -- WE’LL INTERCUT:
EXT. CEMETERY - NIGHT (FLASH BACK)
We find THE KING walking through the cemetery with a TEN YEAR OLD
HAMLET. They land at one of their forebearer’s plots --
The King kneels down to his son --
THE KING
This is my grandfather -- your
great-grandfather. He was a very
happy man -- after every visit to
our home he would tell me a joke
before he departed. He took great
joy in making people laugh.
Hamlet smiles at the revelation --
THE KING
This is how we keep those that we
love alive -- in their stories.
Someday you’ll lose me as I lost my
father and he lost his. But in
these stories we live on.
BACK TO THE PRESENT: Hamlet drifts through the graveyard --
He’s following the 10-YEAR OLD version of himself as the
child happily weaves through the TOMBSTONES.
53.
Hamlet turns to see his FATHER following the young boy.
Hamlet’s IN HIS MEMORY -- walking side by side with his dad.
Watching the past play out before him.
Finally the YOUNG HAMLET has led them to an ORNATE MAUSOLEUM.
The BOY reaches behind the STATUE of an ANGEL and retrieves a
PIECE OF CANDY -- giddy with his discovery.
BACK TO THE PRESENT: Hamlet, now alone, reaches behind the
ANGEL and finds a Key. Off his satisfied look --
INT. THE STRATFORD - GUEST ROOM - MORNING
Falstaff is in his room -- franticly tossing his belongings
into a suitcase. A KNOCK at the door freezes him -- he waits -
- another KNOCK. He cautiously moves to the door and checks
the PEEP HOLE -- relieved he opens the door to reveal
Rosencrantz and Guildenstern --
FALSTAFF
Can I help you gentlemen?
AGENT ROSENCRANTZ
Hope so. Mind if we ask you a few
questions?
FALSTAFF
Regarding?
AGENT GUILDENSTERN
(flashing a badge)
We’re with the FBI. It’s kind of
sensitive -- can we come in?
Falstaff nervously opens the door wider and the Agents enter.
OFF: Falstaff’s fear --
INT. MACBETH'S APARTMENT - KITCHEN - MORNING
Macbeth enters -- surprised to see his wife up and about.
MACBETH
Good morning.
She pours him a cup of coffee.
LADY MACBETH
Good morning.
MACBETH
It’s nice to see you --
54.
LADY MACBETH
-- finally out of bed?
MACBETH
I didn’t mean --
LADY MACBETH
It’s okay. You’re right. It’s about
fucking time.
MACBETH
What’s brought this about?
LADY MACBETH
I feel invigorated with the
possibility of a brighter future.
Macbeth is confused at first -- but then -- realizing --
MACBETH
Oh, you mean the Tarot reading? My
love -- that was just the girls
having fun.
LADY MACBETH
It’s the spark to build a fire on.
You should be running that hotel.
How many times have you been passed
over?
MACBETH
Three.
LADY MACBETH
You need to take control of your
future -- make their prophecy come
true.
MACBETH
They’re just some kids with a box
of Tarot cards they bought at a
street fair.
LADY MACBETH
Nonsense -- It’s a sign.
MACBETH
Even so -- Duncan runs the hotel --
what am I supposed to do – kill
him?
That hangs in the air for a long beat -- Macbeth studies his
wife -- is she really considering this -- then --
55.
LADY MACBETH
Of course not. But you have to stop
covering for him. You tell me time
and time again that you are
constantly covering for his
shortcomings. You need to stop. Let
him fail --
Macbeth sees the wisdom in that - nods in agreement. Plus
there’s life back in his wife’s eyes. He’ll do nothing to put
out that flame --
INT. THE STRATFORD - HALLWAY - MORNING
Richard moves along the corridor with purpose -- he’s about
to knock on a door when it begins to open -- he moves past.
As he turns the corner -- he looks back to see Agents
Rosencrantz and Guildenstern exit -- and Falstaff closes the
door behind them.
OFF: Richard’s concerned look --
EXT. NEW YORK CITY - STREET - MORNING
Titus and his son MUTIUS exit their BROWNSTONE in DRESS BLUES
and head for the BLACK SUV parked at the curb. A SUITED MAN
approaches --
SUITED MAN
The Mayor would like a word.
Titus and his son share a look -- then both head for the
limousine parked behind their SUV --
SUITED MAN
The Mayor specified alone -- just
you --
TITUS
Fuck alone.
He and his son climb into --
INT. LIMOUSINE - CONTINUOUS
They sit in the back -- Caesar opposite them --
CAESAR
My apologies -- for interrupting
this solemn day.
56.
TITUS
Once more, with feeling this time.
CAESAR
This is the fourth police officer
you’ve lost this year.
TITUS
They weren’t lost, I didn’t
misplace them -- they were fucking
put down -- like an animal in some
forgotten alley.
CAESAR
Near the Agincourt if I’m not
mistaken. Probably sticking their
nose where it doesn’t belong -- at
your bidding I suppose?
Titus goes flush with anger --
TITUS
What is it you want?
CAESAR
There’s evidence -- out there. He
had it -- documents -- recordings
of all of it. It will be our
undoing unless we find it.
TITUS
Who has it now, that he’s worm
food?
CAESAR
I can’t be sure. But I think the
son -- Hamlet -- might be a place
to start.
TITUS
His death leaves a void. He was
more than a businessman. He was the
most powerful man in this city --
CAESAR
You still believe insulting me is
your best course?
TITUS
If you’re insulted by me stating
the facts as they are -- I can’t
help you. His reach was vast -- his
allies many. He could buy and sell
men like you and I.
57.
As Titus continues to talk -- we’ll JUMP around to our
various characters --
-- HAMLET -- Staring out the window -- looking upon the city.
TITUS (V.O.)
All will be lining up to take his
place.
-- HARRY -- as he moves through the empty Agincourt.
TITUS (V.O.)
There’s only a handful of people
that can pick up the mantel.
-- MACBETH -- as he stands resolute behind the front desk.
TITUS (V.O.)
All as desperate and dangerous as
the next.
-- OTHELLO -- polishing glasses behind the bar.
TITUS (V.O.)
Some will be willing to do whatever
it takes to run this town.
-- RICHARD -- stalking through the bowels of the hotel.
TITUS
The threat can come form anywhere.
-- OPHELIA -- as she smiles at an approaching guest.
TITUS (V.O.)
I hope you’re prepared for the
bloodbath that’s about to christen
these streets --
Off that -- Titus and his son climb out of the LIMO --
leaving Caesar alone to ponder his fate --
EXT. THE STRATFORD - PENTHOUSE BALCONY - DAY
Gertrude looks out over the city -- Hamlet emerges from the
door behind her --
HAMLET
Mother --
She turns to greet him --
58.
GERTRUDE
My love --
She pulls him close --
GERTRUDE
We need to be as one -- you and I.
Hamlet pulls back -- looks her in the eyes --
HAMLET
I am your son -- I stand with you
in all things.
She kisses his forehead --
GERTRUDE
You and your father were two peas
in a pod. I always felt like an
outsider -- trying to connect with
you both on a level that only you
two shared. You saw wonder in
places I could never imagine --
HAMLET
I’ve always felt that I
disappointed you somehow.
GERTRUDE
Why would you think that? What have
I done to make you think that?
HAMLET
Father’s praise felt unconditional.
With you -- it was as if you always
expected better -- more --
GERTRUDE
Because I knew the world would
expect more from you -- you are his
son. You will forever be compared
to him -- I was trying to prepare
you.
Hamlet takes her hands in his --
HAMLET
I see that now -- I didn’t then. I
only ever wanted to make you happy.
59.
GERTRUDE
Stay -- in the city -- take on this
challenge -- save that which your
father built. That will make me
happy.
HAMLET
Everyone keeps asking me when I’m
leaving -- which makes me feel like
maybe I don’t belong here --
GERTRUDE
Everyone just fears your departure.
Your absence is felt more than you
know.
HAMLET
I’ll consider your offer.
He kisses her hands and heads inside --
INT. THE STRATFORD - PENTHOUSE - CONTINUOUS
Hamlet enters to find Claudius at the desk -- he tries to
ignore him and moves past --
CLAUDIUS
I expect you’ll be gone after the
funeral?
HAMLET
I haven’t decided --
Claudius rises and crosses to Hamlet --
CLAUDIUS
You’ll leave eventually -- don’t
give her false hope. We both know
you’ll never stick around and do
the hard work -- you’ll never fill
his shoes. So after the funeral --
just go --
HAMLET
What’s it worth to you -- my
absence?
CLAUDIUS
Whatever it costs. If that’s what
you’re concerned about -- I’ll see
your account stays full.
(MORE)
60.
CLAUDIUS (CONT'D)
You can travel the world for the
rest of your life -- never commit
to anything --
HAMLET
Thanks, Uncle -- you’ve given me a
lot to consider.
INT. THE STRATFORD - HALLWAY - DAY
Hamlet exits the penthouse and heads for the elevator -- the
doors slide open revealing Rosencrantz and Guildenstern --
AGENT ROSENCRANTZ
We’ve been looking for you.
AGENT GUILDENSTERN
We have some answers to your
questions --
Hamlet steps into the elevator. As the doors close -- he
turns to the Agents --
INT. THE STRATFORD - BASEMENT - DAY
Macbeth moves through the dank underbelly of the hotel. He
hears a HORSE’S NEIGH and spins toward it -- as he does WE:
SMASH TO --
EXT. MUDDY FIELD - DAY
Macbeth stands alone -- wearing BATTLE ARMOR -- a SWORD
clutched in his BLOODY HAND -- as he tries to make sense of
it all -- WE: SMASH BACK TO --
INT. THE STRATFORD - BASEMENT - DAY
Macbeth staggers forward -- looks down at his hands --
they’re empty now -- no sword -- no blood. He shakes off the
episode -- quickly returns to the present and heads off --
INT. THE STRATFORD - LOBBY - DAY
In early evening chaos of the hotel lobby -- Hamlet emerges
from a side door -- he’s wearing a DOORMAN’S uniform -- and
damn if he doesn’t make it look good. As he struts the length
of the LOBBY -- a MUSIC CUE kicks in -- ACE FREHLEY’S “NEW
YORK GROOVE” --
As Hamlet makes his way to the front door -- he passes
Ophelia at the CONCIERGE DESK -- he throws her the slightest
smile -- fuck -- this is the last thing she needed --
61.
Hamlet takes his position at the FRONT DOOR and stands tall.
After a beat some guest are exiting the hotel --
HAMLET
Good evening, can I get you a cab?
The couple indicates they’re fine -- as Hamlet opens the door
for them. Then as a WOMAN climbs the stairs into the hotel --
HAMLET
Good evening, welcome to The
Stratford --
Just then a CAB pulls up out front and Hamlet keeps the door
open in anticipation -- but before the passenger exits -- the
car seems to EXPLODE -- It takes Hamlet a beat to realize
that a BODY has fallen from the sky and landed on the roof of
the TAXI --
Hamlet descends the stairs -- curiosity pulling him toward
the CARNAGE -- as he gets closer to the BODY -- we see that
it’s FALSTAFF -- his eyes staring into the dark void --
OFF: Hamlet, his fears confirmed -- something’s rotten in
Manhattan --
END OF SHOW